Stealing Comedy Material from a Dead Man
<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />
One of the gifts gratefully received from the journalist this Christmas is The Ultimate Collection of Richard Pryor DVD’s. The idea for this came from intrepid adventure Comedian Marcus Brigstock. We were in a Russian ship a few months ago on a once in a lifetime journey -actually Marcus’s second - in the Arctic. He is a comics comic, in the same way CLR James was a writers writer, so it was a golden opportunity to talk to him about comedy especially when trying, and spectacularly failing, to write one myself.
So it’s not with a little excitement that months later, tonight, I sit in the light of a roaring fire in Cornwall Southern England to watch Richard Pryor Live in Concert, a genius at work. How seamless it all seems as he paces the stage skipping from one subject matter to another as if the progression. He plays the audience like a conductor an orchestra . But read his book Pryor Convictions: It takes allot of effort to seem effortless.
About half way through the concert Pryor delivers a section on how he was punished as a child. He picks apart the seams that hold the entire punishment regime together. It’s the brutality. He splits the difference between the liberal white and African American audience and in the same riff unifies them with hilarity. And best of all, the audience knows he’s doing this. You don’t have to experience it to see how funny it is.
But I am not laughing. I'm experiencing dejavu. Earlier this year in Botswana Southern Africa I read poetry on stage with a London writer who read this entire Richard Pryor section as if it were his own original construct. In much the same way of the American audience forty years in the past, the African audience including myself roared with laughter and appreciation. It strikes a different and altogether revealing light upon the writer who uses another mans material.